Winter 2011-2012 — Coming Soon!

Coming up next weekend, we’ll have The Red Penny Papers Winter 2011-2012 issue, all shiny and new. Yay!

Here are the fabulous treats we have in store:

“In the Pits of Isfhan” by Mari Ness
Cover based on “Isfhan” by Carrie Cuinn
“Its Trick” by R.A. Keenan
“The Comfort of Shadows” by T.J. McIntyre
“The Gill Bride” by Jan Stinchcomb
“The Last Magician” by Samantha Boyette
“The Still Life of Doriana” by Sylvia Hiven

Carrie’s cover will be our first ever totally painted one — titles and all, and we’re really excited to have T.J. back with us — you might remember his “House of Endless Skies” from last winter’s issue. As usual, the stories come from every far-flung corner of the sensationalist and fantastical, coming together for an ultimate pulp mixed tape. But we’ll save the details for later. We like the antici –

The issue will appear this weekend, both here on the site and as an eBook from Smashwords. In the meantime, this is the last week to snag the fall issue eBook. It’ll still be here in the archives, though, don’t worry.

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Desert Dead: The End

And now, the thrilling conclusion of Aaron Polson’s…

The Sons of Chaos and the Desert Dead!

Already read the first three episodes? Why then by all means, head straight to the last one, my friends. Step right up for some Desert Dead action.

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Episode 3 of Desert Dead: Now With 50% More Reaver

Yeah, you know who showed up last time. So just in time for a fun Saturday evening read, here’s

Episode 3 of Aaron Polson’s The Sons of Chaos and the Desert Dead

Want to start from the beginning? Check out the table of contents and that fabulous cover by Emmy Wahlbäck.

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The Desert Dead, Episode 2

Part 2 of our current pulptastic weird west serial, Aaron Polson’s The Sons of Chaos and the Desert Dead is live now! Happy weekend, Penny Papers folk.

(And don’t forget to click on the cover to see an enlarged version. Emmy Wahlbäck’s painting is gorgeous.)

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The Sons of Chaos and the Desert Dead, Episode 1

Marshal Sam Isherwood by Emmy Wahlbäck

Click the cover for undead desert fun. Happy Halloween weekend from The Red Penny Papers!

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The Sons of Chaos Return to RPP

Fall is in full swing, and we’re getting ready for the return of the Sons of Chaos to The Red Penny Papers!

You may remember the eponymous group of black magic types from our very first serial, Black Medicine Thunder and the Sons of Chaos. But if you don’t, definitely check out author Aaron Polson‘s bargain priced Kindle version, or hit it up in our archives if you don’t mind just reading on the web.

But this Halloween weekend, we have a treat for you — no tricks, here: the first episode of the next installment in the story. Marshal Sam Isherwood is back in another Polson cracker, The Sons of Chaos and the Desert Dead. Short on time? Don’t worry, you don’t have to read the first installment to join in the fun. It’s coming this weekend, with cover art from the fabulous Emmy Wahlbäck (facebookblog).

That’s right, y’all — the west just got a little deader. And you can find it right here, this Friday.

Happy Halloween. ;)

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Miniview – Mark Rossmore

Our last interview from the anniversary issue of The Red Penny Papers comes from steampunk storyteller and songwriter, Mark Rossmore.

1. How would you describe “Iron Jack” in one sentence, for those who’ve not seen it yet?
A dark, sexually-charged steampunk tale inspired by the Victorian era’s oh-so-delightful marital standards.

2. You write steampunk music as Escape the Clouds, and there seems to be a story behind each of your works there, too. Can you tell us a little bit about that?
Music’s been used as a storytelling method since ancient times, and it’s fun to continue that tradition. The actual sound of the steampunk music genre is individual to each artist. For me, it’s about combining of themes, history, and instruments from both Victorian and modern times into something unique. I think of the songs as audio histories of events set in a past twisted and manipulated by “What if?” scenarios.

For vocal songs, I tend to use a flash fiction approach. The lyrics are based on fictional characters I’ve created, or historical figures such as Jack the Ripper and Tiananmen Square’s Tank Man. At times it’s a challenge, since a song is usually only so long. Specific song “story” examples include “One Bullet”, “Louisiana Sunrise” and “The Surgeon’s Widow” from my latest CD Until the End, and “Captain Morena” and “In Your Sleep” from Circumnavigator.

About half of what I’ve written are instrumentals. In writing fiction we take our time painting a sensory picture of what our characters are seeing, hearing, tasting, etc. and what we want the reader to experience. In a way, we’re shooting a movie through words, complete with scenes, characters, sets, and lighting. One of the most powerful elements of a film is its music. It can heighten the tension, set the mood, and spark hope where there is none. Knowing how well it can drive a story, I’ve written several soundtrack pieces that were companions to my fiction, including “Hunting the Future”, “Above the Overcast” and “The Undead Approach” off Circumnavigator.

3. Love it. So what’s happening next in your world, both in terms of fiction and music, and where can we get our hands on it?
Music’s been my focus for the past year or so, but now that my third CD Until the End is out, I’m changing gears and diving headfirst back into writing. I’ve recently completed a zombie novella, which I’m thinking of using to test out the self-publishing waters. I have also just accepted a slot in a new steampunk anthology due out in early 2012. Then there’s those novel ideas I need to wrestle to the ground and finish. The boilers are all fired up, so to speak. Now to kick this train into motion!

All of my music and links to my writing work is available at http://www.EscapeTheClouds.com

Thanks, Mark, that was good fun! If you all haven’t read his dark steampunk offering from this fall yet, now’s a great time to introduce yourself to “Iron Jack”.

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Miniview – Ash Krafton

The fourth mini interview from this quarter’s edition of RPP is with Ash Krafton, discussing the inspired creepiness of  “So Long, Warren”.

1. How would you describe “So Long, Warren”, for those who’ve not seen it yet?

I think I’ll take a line from the story itself. “Listen to your conscience, my mother always said. Little did she know I’d end up with one who knew how to pick locks…”

2. Perfect! Speaking of which… Warren Zevon. Awesome choice, but can you tell us why?

Music is my muse. I get lost in deep thoughts when I listen to my favorite artists, following some odd tangent or another after a certain lyric strikes me. Zevon represents the quintessential degenerate to me–I mean, he sings about some pretty sleazy stuff. I’m charmed by his music because he sounds like someone who completely lacks a conscience. Naturally, it’s the perfect irony to make him someone else’s moral compass.

I briefly considered Jerry Garcia but I figured the character would just zone out and look for a taco stand. Not much of a story there.

3. Ha! Depends on how zoned out the reader is, but I see your point. What’s up next for your fiction — in particular, what’s up with BLEEDING HEARTS?

Bleeding Hearts: Book One of the Demimonde is my first novel, set to debut with Pink Narcissus Press. Here’s a blurb about my urban fantasy:

Sophie Galen is an advice columnist who is saving the world—one damned person at a time.

Shy and sensitive Sophie has all but given up on love until she meets Marek, a mysterious stranger who seduces her with his striking good looks and his take-charge attitude. Yet the darkness she senses within him may be more than she is prepared to handle when Marek draws her into a world of vampires, werewolves, and treachery. Forced to leave behind the comfortable routines and certainties of her past, Sophie makes unbearable sacrifices and uncovers hidden truths about herself and the world around her.

Bleeding Hearts will be released in early 2012. I hope you’ll stop by my website http://ashkrafton.com or hmu, as my daughter would say, on Facebook or Twitter for updates. (For us elderly persons who don’t speak tween language, ‘hmu’ means ‘hit me up.’ I think it means ‘stop by and say hi.’ I hope so, anyway.)

Sounds about right to me, but I’m pretty elderly, too. Thanks, Ash! So y’all have to wait for her novel, but in the meantime, let me recommend “So Long, Warren”. You know you wonder what it’s like to have a dead musician as a conscience. I mean, who doesn’t?

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Miniview – S.J. Hirons

This week, a little chat with S.J. Hirons, author of the magical (literally and figuratively) “Arkady’s Apprentice”.

1. How would you describe “Arkady’s Apprentice” in one sentence, for those who’ve not seen it yet?

Really it’s the beginning of something; although, conversely, it’s also me backtracking – to no real end – in order to explore the early life of a character who features in a story I may never write, in a setting I probably won’t explore further (despite feeling like I know it intimately) both of which, in and of themselves, don’t even really feature heavily in the first place. Sold? No. I didn’t think so.

2. Actually, yes, I am! It’s an interesting mashup of the historical and the fantastical — did you begin with the setting, the plot, or the characters, and were there any inspirations you can point to?

Character: situation; event. That’s apparently how Bowie wrote songs in the 1970s.

3. I’d never argue with Bowie. So, your web home is mostly twitter, so maybe you can tell us here: where can we find more of your fiction, and what’s up next for it?

Well, in print I have stories in Clockwork Phoenix 3 from Norilana Books, Subtle Edens from Elastic Press and in Issue #1 of Title Goes Here. Online I have pieces up at Daily Science Fiction, The Absent Willow Review, Farrago’s Wainscot, Pantechnicon, A Fly in Amber and at 52 Stitches. I recently had some pieces accepted at The Colored Lens, faepublishing.com, for A.J.French’s Satyr Anthology from Wicked East Press and at the Interstitial Arts Foundation. I have some truly godawful self-recorded music still up on my Mypsace page but would advise the more discerning to listen instead to the music of a friend of mine at http://www.myspace.com/benclempson. Writing-wise, well, I finished a novel at the beginning of the year and have left that to stew ever since – though I do remember that its first line is ‘This is what I remember… ’

Fabulous! Thanks for stopping by and humoring us. And for those of you who haven’t checked out his offering in this quarter’s RPP, hey, why not this weekend? (Don’t forget, you can download it as an ebook for the next two months, as well!)

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Miniview – Sara Kate Ellis

Next up, an interview with Sara Kate Ellis, who was responsible for the creeping darkness of “Oni wa Soto” this fall.

1. How would you describe “Oni wa Soto” in one sentence, for those who’ve not seen it yet?
It’s about the devils that haunt us through more tacit forms of bullying and how we respond to them.

2. Can you tell us a little about living and writing in Japan and how it’s affected your work?
As far as writing goes, I think that living in a place where there’s so much indirect communication has hopefully made me a better observer. I’ve lived in Japan on and off for fifteen years and certainly moving back and forth between countries forces me to continually reassess my assumptions about what people are thinking, what motivates them.

With “Oni” I did take a liberty or two with Setsubun, which is usually celebrated at home or in organized processions, but I was able to vet it through the Tokyo Writers’ workshop, a fantastic group made up of expats and Japanese writers that’s been going for some thirty odd years. Nobody pulls their punches there, which doesn’t always feel good, but wow does it help. (:

3. I can just imagine. You’ve been a busy writer, what with the Lambda Literary retreat and all. Can you tell us what you’re working on now, and where we can find more of it?
Right now, I’m finishing up a few short pieces and working on a longer, urban fantasy dealing with U.S. immigration and asylum law. I find the latter fascinating because no matter how much evidence an applicant may have in his or her favor, the case can ultimately depend on the ability to tell a good story. It’s tough enough to do as a writer, but to have your life depend on it would be terrifying.

From my experience with the former, I can just imagine how fascinating (and scary) the latter would be. Thanks for stopping by, Sara! If you haven’t read “Oni wa Soto”, bet that convinced you to take a look, right?

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